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"Lost youth in the workhouse" by Leon Goodman (Just sold 16/12/12)
STUNNING ORIGINAL OIL PAINTING "Lost youth in the workhouse". Incredible new Goodman painting illustrating the plight of children in Victorian England!
...... BY THE SUPERB LEON GOODMAN.
Measurements height 16 inches by 18 inches. Oil on Canvas..............
Investment
Invest in one of our paintings, rather than risky bank investments, where you can actually touch your investment. Take pleasure in looking at it and watch it appreciate in value over the years!! Remember we guarantee every painting sold is unique, original e.g only one of it's kind in the world!!!
Scarcity alone guarantees the investment !!!!
Asgard Arts offers works of art which will not only look fantastic in your home or offices (One Investment Bank in particular has purchased paintings from us for their offices see Bull paintings) but will also be a sound financial investment for the future. Art has long been regarded as a strong and safe investment. Investment in paintings was discussed recently on Bloomberg television as a sound investment as a hard asset like Gold, Platinum Silver etc. Also Ellen Kelleher a personal finance journalist for The Financial Times recently wrote an article recommending the purchase of Art, particularly in the $500 - $50,000 range as a sound long term investment with an impressive current average annual increase of 9.7 percent. Go to Latest Art news on Asgard Arts and see Hang your investments on the wall by Ellen Kelleher Published October 22 2010 in the Financial Times.
Ref only; leon-goodman.com asgard-arts.com
Leon Goodman has been a professional artist for the majority of his working life. His work has been sold at The Omell Gallery, Ascot, as well as Christies, the fine art auction house in London. Many of his works have sold for thousands of pounds in the U.S. ( Please check out Ref only; leon-goodman.com ) Since seeing his work, Risborough Art Gallery have made him a regularly featured artist. Leon’s philosophy is that it is not the delineation of the subject which is important, but its fragmentation. He believes a strictly photographic image does not allow the viewer to participate in the painting. If the image is fragmented, the viewer can imagine for himself the missing parts and involve himself in the creation of the whole image. The viewer has seen his own interpretation of the fragmented images; the next viewer may see something different.
GUARANTEED TO BE 100% ORIGINAL AND GENUINE WITH C.O.A.