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"Victoria" by Steven Yeates (Large Glass Sculpture 125 kg)
MAGNIFICENT LARGE ORIGINAL GLASS SCULPTURE "Victoria". BY THE FABULOUS SCULPTOR STEVEN YEATES...... Absolutely exquisite Sculpture ..........
"Victoria" by Steven Yeates
Fractured Glass from London's Vandalised Bus Shelters ... All Recycled material ! .... Aesthetically pleasing in any living space ... Demonstating beauty .. Completely unique .... No other artist does this .. Incredible Talent ! .......125 kg..... looks like Ice ......Will Grace your Living Space..... and has varying appearance depending on the Light that hits it !
Measuremnts; Height 3 Foot by 1 Ft 7 by 1 Ft 4 inch at the base (92 cm x 54 cm x 42 cm) Glass Sculpture (125 kg)
Steven Yeates with one of his incredible Sculptures!!!
asgard-arts.com
Steven Yeates- My work explores the emotional repercussions on the soul of any individual of any emotional or physical act whether it be positive or negative. Working in figurative sculpture allows me to challenge the preconception of figurative art through the mixtures of media used and their methodology.
My Sculptures can display an amazing array of definitive states from tragic and haunting to ethereal and dynamic. One of the lessons of my life has been that it's transitions can illustrate to me the inconstant energy that is living in today's often brutal society. The violence and its repercussions are shown in the work made of recycled glass, the brutality of the act is magnified by its consequence, I try to transform that anger to something that is generically positive by moulding the glass into shapes of beauty transfixed into statuesque poses reminding us of our inner strength.
A Steven Yeates papier mache Sculpture in London
The use of contemporary materials such as paper had its genesis when frustrated in grief, unsent letters of sorrow and platitudes of forgiveness that were intrinsic to the grieving process were ripped apart. Hesitantly, I re-assembled them as if collecting my thoughts and cast them in figures burying their faces, foetal in positioning throwing any allusions of coping away.
More recently I have sought to celebrate the dynamic energy of life, and the fascination of movement through traditional materials such as bronze and lead crystal whilst still challenging core aesthetic values of figurative art.
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Asgard Arts offers works of art which will not only look fantastic in your home or offices (One Investment Bank in particular has purchased paintings from us for their offices see Bull paintings) but will also be a sound financial investment for the future. Art has long been regarded as a strong and safe investment. Investment in paintings was discussed recently on Bloomberg television as a sound investment as a hard asset like Gold, Platinum Silver etc. Also Ellen Kelleher a personal finance journalist for The Financial Times recently wrote an article recommending the purchase of Art, particularly in the $500 - $50,000 range as a sound long term investment with an impressive current average annual increase of 9.7 percent. Go to Latest Art news on Asgard Arts and see Hang your investments on the wall by Ellen Kelleher Published October 22 2010 in the Financial Times.
Steven Yeates- My work explores the emotional repercussions on the soul of any individual of any emotional or physical act whether it be positive or negative. Working in figurative sculpture allows me to challenge the preconception of figurative art through the mixtures of media used and their methodology.
My Sculptures can display an amazing array of definitive states from tragic and haunting to ethereal and dynamic. One of the lessons of my life has been that it's transitions can illustrate to me the inconstant energy that is living in today's often brutal society. The violence and its repercussions are shown in the work made of recycled glass, the brutality of the act is magnified by its consequence, I try to transform that anger to something that is generically positive by moulding the glass into shapes of beauty transfixed into statuesque poses reminding us of our inner strength.
The use of contemporary materials such as paper had its genesis when frustrated in grief, unsent letters of sorrow and platitudes of forgiveness that were intrinsic to the grieving process were ripped apart. Hesitantly, I re-assembled them as if collecting my thoughts and cast them in figures burying their faces, foetal in positioning throwing any allusions of coping away.
More recently I have sought to celebrate the dynamic energy of life, and the fascination of movement through traditional materials such as bronze and lead crystal whilst still challenging core aesthetic values of figurative art.
GUARANTEED TO BE 100% ORIGINAL AND GENUINE WITH C.O.A.
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